5,000円以上のご購入で
送料無料

【モダン紅型】葵に流水、梅、菖蒲 青紫 (クッションカバー)

5,000円以上のご購入で
送料無料

【モダン紅型】葵に流水、梅、菖蒲 青紫 (クッションカバー)

【モダン紅型】葵に流水、梅、菖蒲 青紫 (クッションカバー)
¥17,600
葵に流水、梅、菖蒲のクッションカバーです。(クッション材なし)
柔らかな雰囲気がお部屋を明るくしてくれる可愛らしいアイテムです。
インテリアのアクセントに使うのもおすすめです。
ソファやベッド周りなどに置くだけでお部屋が華やぎます。
日常生活に染めの彩りを添えてみませんか?

<葵文>
葵の葉を図案化した文様です。紋所は京都・賀茂神社の神紋に由来し、徳川家の「葵巴」(あおいどもえ)は有名です。江戸時代には徳川一族以外は葵紋および葵の文様の使用をはばかったと言われています。ハートの形の葉が特徴で、長い茎を巧みに取り入れた文様、水と組み合わせた水葵文なども見られます。

<流水文>
弥生時代に流行した文様のひとつ。平行線の端部を屈折させてS字状に連ねた平行曲線文様。
水が川に流れているさまや池になどにたまっているさまを図案化しています。
水をモチーフにした文様は古くから見られ、流水文の出現はその中でも最も古いと言われています。流水文の特徴は植物や動物と組み合わせたものが多くみられます。

<梅文>
植物文のうちでも梅は古来から日本人に最も親しまれ、文様としても取り入れられています。
原産地は中国ですが、奈良時代に日本に伝えられた梅は、その愛らしい花の姿、独特の幹や枝ぶり、寒中に漂う芳香から、万葉集にも数多く歌われています。
文様としては、絵巻や浮世絵や絵画、器物や屋内装飾など多様に表現されています。

<菖蒲文>
アヤメ科の植物には、山野に紫の花を咲かせる菖蒲(あやめ)、湿地に赤紫の花を咲かせ、花の栽培を競ったりもする花菖蒲(はなしょうぶ)、湿原に青紫や大振りの紫の花をつける杜若(かきつばた)などがあり、一見区別がつきにくいです。着物の文様に取り入れられているのは、たとえ花菖蒲に似ていても杜若を意図していることが多いと言われています。理由の一つとしては、「伊勢物語」の業平東下りの「八橋」を隠れテーマにしているからと言われています。
杜若は燕子花とも記されます。

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サイズ:高さ:約40cm×横:約40cm
染色生地:絹

※購入前に必ずご確認下さい※
◆おかめ工房オリジナル商品です。
◆手染めになりますので、一点ものです。
◆染めムラなどある場合がございます。ご了承ください。

※商品の色は、可能な限り実物に近い色を出そうとしておりますが、携帯やパソコン、スマホのモニター環境により若干異なって見える場合がございます。

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<紅型染め工程>

1.型彫り:デザインを決め、型紙へ転写し、模様部分から彫っていきます。

2.紗張り:型紙を紗という生地で補強、固定する作業です。カシュー液またはペンキを使用します。

3.糊置き:型紙の上からペースト状の防染糊をヘラで薄く均一に伸ばし、生地に模様を写し取っていきます。

4.豆引き:染料が糊の裏側に染み出るのを防ぎ、染料の染め付けを良くし、定着させる作業です。

5.色差し(1度塗り):模様部分(糊がおかれていない部分)を染めていきます。染料・顔料を調整し刷毛で布に刷り込み配色します。顔料は豆汁で溶くと固着剤の役割を果たし、にじみ防止になります。

6.色差し(2度塗り):2回色を刷り込む事で色ムラを無くし、しっかり色を入れます。

7.隈取り:紅型の大きな特徴の一つです。色の上から隈取り用の刷毛で濃い色のぼかしを入れ陰影をつけます。ぼかし染めは図柄にアクセントをつけ立体感を出す効果があります。

8.明礬作業:完全に乾いた後、色落ち止めとして主に明礬を用います。

9.水元:約3日程色を定着させた後、水に浸します。糊が柔らかくなったら、布を斜めに引っ張り糊をはがすように落とします。

10.湯のし:蒸気を使ってシワをきれいに伸ばしていきます。反物幅を均等に揃えるための加工のことです。

11.仕立て:着物や帯、作品に仕立てて完成します。全行程手作業で行っており、全て1点ものとなります。


沢山の工程があり、ひとつひとつ手作業で染色しています。
紅型本来である「顔料」という染料を使い、昔から変わらない工程や技法で本格的な紅型作品を制作しております。

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Cushions cover of hollyhocks with running water, plum blossoms, and irises.
The soft atmosphere of this lovely item will brighten up any room.
We recommend using it as an accent in your interior design.
Just by placing it on a sofa or around a bed, it will brighten up the room.
Why not add a touch of color to your daily life?

<African hollyhock design>
This pattern is based on a design of hollyhock leaves. The crest is derived from the divine crest of Kamo Shrine in Kyoto, and the "Aoi-domoe" of the Tokugawa family is well known. It is said that during the Edo period (1603-1867), the use of the hollyhock crest and the hollyhock pattern was prohibited to all but the Tokugawa family. The heart-shaped leaves are a characteristic feature of this pattern, and the pattern cleverly incorporates long stems and water hollyhock patterns combined with water can also be seen.

<Ryusui patter>
This pattern was popular during the Yayoi period (710-794). A parallel curvilinear pattern consisting of parallel lines with their edges inflected to form an S-shape.
The design depicts water flowing down a river or pooling in a pond.
Water motifs have been seen since ancient times, and the Ryusui pattern is said to be the oldest of them all. Nagaresui patterns are often combined with plants and animals.

<Plum blossoms>
Of all the botanical motifs, the plum tree has been most familiar to the Japanese since ancient times and has been incorporated as a pattern.
Originating in China, the ume was introduced to Japan in the Nara period (710-794), and its lovely flowers, unique trunk and branches, and fragrance that wafts through the cold air have been written about in many poems in the Manyoshu (Anthology of Myriad Leaves).
The ume design has been used in a variety of ways, including in picture scrolls, ukiyoe prints, paintings, tableware, and interior decorations.

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Size: Height: approx. 40 cm x width: approx. 40 cm
Dyed fabric: silk

Please be sure to check before purchasing*.
◆Original product of Okame Kobo.
◆This product is hand-dyed, so it is one-of-a-kind.
◆It is hand-dyed and one-of-a-kind. Please understand.

The colors of the products are as close to the real thing as possible, but they may look slightly different depending on the monitor environment of your cell phone, computer, or smartphone.

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<Bingata Dyeing Process>

1. Kata-bori: The design is decided, transferred to a stencil, and carved starting from the patterned area.

2. Gauze stretching: Reinforcing and fixing the katagami with a fabric called gauze. Cashew solution or paint is used.

3. Glue-placement: Paste paste is spread thinly and evenly over the pattern using a spatula, and the pattern is copied onto the fabric.

4. Mamegaki: This process prevents the dye from seeping through to the underside of the paste, and helps the dye to adhere and fix in place.

5. Color-application (one coat): Dyeing the patterned area (the area not covered with glue). Dye and pigment are adjusted and brushed onto the cloth with a brush to distribute the colors. Dissolving the pigments in soybean juice acts as an adhesive and prevents blotting.

6. Color is applied twice (two coats).

7. Kuma-dori (shading): This is one of the main characteristics of Bingata. The kumadori brush is used to add shades of darker colors on top of the colors. Bokashi-dyeing has the effect of accentuating the design and giving it a three-dimensional effect.

8. Aluminum water: After completely drying, aluminum water is mainly used to prevent the colors from fading.

9. After allowing the colors to set for about three days, soak in water. When the glue softens, pull the cloth at an angle to peel off the glue.

10. Yunoshi: The wrinkles are stretched out cleanly using steam. This process is used to make the width of the fabric even.

11. Tailoring: The fabric is finished by tailoring it into a kimono, obi, or work of art. The entire process is done by hand, and each piece is unique.


There are many processes and each piece is dyed by hand.
We produce authentic Bingata works using dyes called "pigments," which are the original Bingata, and using the same processes and techniques that have been used since ancient times.

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*Tax included.

*Shipping fee is not included.More information

Shipping method / fee

The shipping fees and delivery method/s for this product are as follows.
Japan domestic shipping fees for purchases over ¥5,000 will be free.

  • Yamato Transport

    Your delivery status can be checked online.

    Shipping Fees are the same all over country inside Japan ¥1,000

The shipping fees and delivery method/s for this product are as follows.

  • EMS

    This shipping supports package tracking and compensation for damages.

    Shipping fees vary by region.

    • Asia
      Uniform rate for area

      ¥1,500

    • Oceania
      Uniform rate for area

      ¥2,500

    • North / Central America
      Uniform rate for area

      ¥2,500

    • Middle East
      Uniform rate for area

      ¥2,500

    • Europe
      Uniform rate for area

      ¥2,500

    • South America
      Uniform rate for area

      ¥2,500

    • Africa
      Uniform rate for area

      ¥3,000

    • Other areas
      Uniform rate for area

      ¥3,000

*This item can be shipped outside of Japan.

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モダン紅型 おかめ工房
〒161-0032 東京都新宿区中落合1-17-12清水ビル1階
TEL: 090-8043-2758
E-mail:info@okamekobo.jp